Poems

Jon Stallworthy

The Postman

Satchel on hip
the postman goes
from doorstep to doorstep
and stooping sows

each letterbox
with seed. His right
hand all the morning makes,
the same half circle. White

seed he scatters,
a fistful of
featureless letters
pregnant with ruin or love.


...Continues >
Stephen Burt

Moscow for Teens

Our borrowed kitten, black and white like ice,
Chases full bottles of aspirin and makes no sound.

Sum mer is hard to see through: slags of dust
Deform the coppery air. Orioles in the elms?

St. Michael roams the curbs and perezhods,
Handing out his weapons of bruised fruit;


...Continues >
Polly Clark

Baize

I should have tried harder
to love Steve Davis.
If not for his neat bow tie
then for his rare motor skills.

Good hand-eye co-ordination
smooths the path of a relationship.
At least one of you must have it,
like hope, and the ability

to love and keep one's word.
There was much I failed to understand
that Steve tried to explain:
that life's a process of elimination,


...Continues >
Carol Bugan

Far Away

From the edge of her cornfield you could
Take the path of the weeds to the house

Some said she was deaf, so I waited
Until I saw that she noticed my shadow.

We sat outside the whole day. I remember
Her deep blue apron smelled of wild apples,

Slowly, the short noon shadows around the garden


...Continues >
Alan Gillis

Street Scene In Blue

The street we once walked paints itself
damson with a lamp lit for shadows,
where figures fade to blue under the lamp's
halo ring, fading into alleyways, into promises
of you. And then my head becomes a DVD
replaying things that were mixed with things
that might have been, intercutting close-ups
with tracking-shots of you next to me,


...Continues >

About Tower Poetry

Tower Poetry exists to encourage and challenge everyone who reads or writes poetry. Funded by a generous bequest to Christ Church, Oxford, by the late Christopher Tower, the aims of Tower Poetry are clear: to stimulate an enjoyment and critical appreciation of poetry, particularly among young people in education, and to challenge people to write their own poetry. Creative writing should be a central element in literary education, and learning about writing poetry can help students to think about ways of reading poetry.

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Reviews

Polly Clark reviews: The Tree House by Kathleen Jamie

For Kathleen Jamie, nature may be vast, mysterious and immovable but it is not for her a violent place. This is a book of (mostly) nature poems which give tentative, feminine voices to natural objects, such as trees and flowers, and what those voices reveal is,...

...Continues >
Fiona Sampson reviews: The Road to Inver by Tom Paulin

Tom Paulin's latest book collects the "Translations, Versions, Imitations" he's made, over nearly 30 years, of poetry from languages other than English. Many have already been published elsewhere, not only in journals but (perhaps more unusually) individual collections...

...Continues >
Matthew Sperling reviews: The Good Neighbour by John Burnside

The Good Neighbour works among oppositions: between neighbour and stranger, self and 'other' (including the non-human other), home and abroad, the known and the unknown. It is not surprising that the poetry becomes most exciting when these categories are questioned, breached, confused; when they show...

...Continues >
Fiona Sampson reviews: Strange Land by Tim Kendall

Strange Land takes its title, as the cover blurb tells us, from the Book of Psalms: though without a referenced epigraph, for either book or title sequence. In fact the territory it enters is perhaps closer to the Book of Ruth. Keats's Ruth 'in tears amid the alien corn' ("Ode to a Nightingale") has...

...Continues >
John Redmond reviews: To a Fault by Nick Laird

Although it is not depressingly bad, Nick Laird's first book is depressing. To a Fault follows a trajectory from the Northern Ireland of the author's upbringing to the metropolitan 'elsewhere' of London, a trajectory (on the evidence of the poems) from misery to boredom. The book's main emotional terrain...

...Continues >

Poetry Matters magazine

Poetry Matters is an exciting on-line poetry magazine which provides a fresh, dynamic perspective on poetry issues through a mix of news, reviews and comment. It should appeal to students in the final stages of their secondary education, but its content and scope will also be of interest and relevance to the wider poetry community.

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News

  • February 2010


    The closing date for entries to the 2010 Tower Poetry Competition has now passed - thank you to all who have entered poems this year. The judges will be meeting to select the winners, who will be informed by mid March and invited to the presentation on Wednesday 24 March (when details of the winners will be announced on the website too).
  • September 2009

    Entries open for Christopher Tower Poetry Prize 2010

    The Christopher Tower Poetry Competition, the UK’s most valuable prize for young poets, is once again open for entries, and this year students between 16-18 years of age are challenged to write a poem on the theme of ‘Promises’.
    More informationpdficon_small Entry form (638kb)

    Winning poem to be set to music

    Villanelle by Sophie Stephenson-Wright, one of the runners-up in the Christopher Tower Poetry Prizes 2009, is to be set to music by Jonathan Pitkin for its first performance at the presentation of the 2010 Christopher Tower Poetry Prizes on 24 March 2010 in Oxford during The Sunday Times Oxford Literary Festival.

    Seasick Blue : Poems from Tower Poetry 2008 now available

    Seasick Blue, a new collection of forty-two poems written during the annual Tower Poetry Summer School in August 2008, is now available to order.
    More information | pdficon_small Order form (140kb) | Order from Amazon

Latest Audio

Listen to the prizewinners read their poems from both the 2009 and 2008 Christopher Tower Poetry Competitions.